After the epic of Siah-Kal
Narrator:
But
a curved dagger
alone
lies on a dish
across a lush feast table.
Host:
My Lords! My Lords!
Please,
treat my home as your own!
Narrator:
Into the guests' chalices
the slaves pour poison
from ancient decanters.
Their smiles tulips and lies.
With their aprons stretched out
they demand
reward
for offering death with ease.
The dead are laid
upon far off shelves,
the living in chests.
Around the lush table
we stare at the bloodless faces
of our fellow-guests:
Oh, wonder!
Who
are we?
We're neither dead
laid on the far off shelves,
nor alive
in the chests.
Only the bloody
oorway
and the blood-stained carpet
bear witness that,
barefooted,
we've walked upon a path of swords.
Contenders:
to sit at the table?
The women are gilded
with a sickly yellow slime!
Jester:
The garden without cherubs
is an incomplete beauty!
Mocking laughter.
Vagabond:
Hastens forward, and hastens past.
The bailiffs are saints.
The bailiffs are saints.
The bailiffs are saints.
The bailiffs are sain
Cut with the sound of a bullet.
Long silence.
Mourners' drums and cymbals from far off.
Footsteps of slowly-moving mourners,
against the background of the eulogist's oration.
Now and then the drums and cymabals are faintly heard.
Eulogist:
In an epic tone.
See him off with a sweet tune
for
Satan was the Archangel
close and intimate.
"No!",
he shouted heedlessly,
altough his wings were his immortality,
although he knew that the cry
was the hopeless scream
of a broken-winged falling bird.
He was not downcast
nor ashamed of himself,
and did not pass in the cool shade:
his way was through the sun
even though blazing
and tasting of blood.
His head he kept high and proud;
although
he who keeps his head low
is immune
to the dark curse of the gallows.
Narrator:
With the same tone.
"You will deny",
they said,
"the song of the quail
and the murmur of the water
singing in freedom."
Vagabond:
This seemingly-minute,
however,
is the great truth of the world.
And the greatness of every sun
to the feeble-sighted seem
like an asteroid,
and the moon
like the paperish clipping
of a baby's fingernail;
and the ritual silver coin put in the baby's palm.
The moon,
the tiny fingernail,
and the silver farthing of deception!
But those who accept
deny themselves.
This is not the crown to be snatched from between two lions,
it's a kiss on the crown of the sun
and demands your life
together with your bone-ashes.
Eulogist:
The women
brought forth their loves,
their frames fevered
with the heat of acceptance and nurturing;
desire flaming up
from their waistlines.
And consummate beauty
was of chastity a cloak
on their nudity.
Women in Love:
Aside, lamenting
The root
the deepest root
calls aloud from the heart of the earth:
"The scent of the farthest flower bud
must turn into honey!"
Eulogist:
Mothers,
In their search for you,
have revived forgotten loves,
for
your spilt blood
was a noble experience.
Mothers:
The root
the deepest root
calls aloud from the heart of the earth:
"The scent of the farthest flower bud
must turn into honey!"
Oh, children!
Warm little children of earth,
who are killed innocent
to open up the chambers of Heaven
unto your parents!-
We're seeing those chambers
right now on earth,
not in the quivering mirage of a
deceptive heaven,
with walls of steel
and shade of stone
under shadow-casting trees
whose green scent is the reminder of your blood
running
in the roots of a deep faith.
Eulogist:
Men are descending the green
footpaths,
with love on their figures
inevitable like moss on a rock;
and wounds upon their breasts.
Their eyes affection and hate,
their teeth
in a smile of determination
are the hanging curved dagger of
the moon
in the bandit night.
From the grim density
into the darkness
they bore a cold tunnel
(where beech and maple have grown in vain
and growing is a task
fulfilled by the yawning soil
even though the sun
with her shining blade
every morning cuts
a seedling's umbilical cord,
in an era when honour
is an astounding rarity
that disturbs the quiescence of
the dead
not the repose of the living.)
Orator:
Oh, message fabricators,
messengers!
What need is there
to imitate the saints
by sitting against the back-drop of a setting sun
in such a slow-passing day
and putting your head
in the sun's golden platter?
What need is there
to sit in a way
so that the sun's halo be seen
around your face?
That concealed-visible dagger
has already proclaimed
the "rightfulness" of this "divine" mission!
The four-beat rhythm of a drum
from far away
It suddenly stops.
A long heavy silence.
Narrator:
The Demon
is sternly posing
upon an enormous pedestal of stone
with the spittle of a satisfied sneer
running down his chin.
Envoys
from sea to sea, all over the land
knock on every door in search
and criers announce:
Far and near doors are knocked on.
Criers:
In changing numbers and from various distances.
"Virgins
worthy of the Lord!
Virgins worthy
of the Lord!"
Jester:
Aside
For the garden of decay
is a prized legacy!
The garden of decay.
The garden of decay.The garden of decay
Narrator:
But
a shuddering question
whirls around you:
Contenders:
They have testified
that you've perceived
the time's boundless extent
in the four-syllabled cycle of the year;
you've testified
that you've seen
the God's secret
in human shape
and perpetuity
in love.
Would the Spring smile
in the bitter scent of the burning leaves
when the sun is spelt
in the fluffy snow spangle?
Jester:
Yes,
but just a sneer.
The bailiffs are saints!
The bailiffs
are saints!
Contenders:
And the absolute truth of
the world, now
is nothing but these two blood-dripping cynical eyes.
One Contender:
These two watchful eyes
in this head
lurking behind glass and stone
observing you.
Jester:
I know!
And if I trusted the truthfulness of my eyes
I would have known long before
that the image mirrored in the clarity of the sky
is nothing but my own distant image.
Orator:
You must keep silent
if your message is nothing
but lies
But
if you have the chance to moan
in freedom
then thunder out the
message
and power it with your life.
Translated
by Iraj Kaboli
and Khashayar Shahriari